Only just started this and already you get the feeling it is going to be a clever interweaving detailing how fictional characters and the power of the written word can sustain people in extreme circumstances.
The villagers of a community that exists by the sea are introduced to the world of Dickens and Great expectations via the last remaining white man who has stayed behind after the miners left. In the face of a civil war the small seaside community gathers round the school as the focal point to rebuild the community and inside Pop Eye, an englishman far from home, introduces them to the world of Victorian England.
In some respects it feels like a cross over with a cinematic experience because so far it could easily have been the first 10 minutes of a film. See if the rest manages to keep that going.
More tomorrow...
Monday, November 30, 2009
Sunday, November 29, 2009
bookmark of the week

As thoughts start to turn to Christmas and candlelight carol services it reminds me of a long held ambition to go to a carol service at a large cathedral to enjoy the sort of experience that has been going on for hundreds of years. I'm yet to do it but if I was then Canterbury cathedral would be a very good choice.
Labels:
Bookmarks
Saturday, November 28, 2009
Murder at the Savoy - post II
Although this book might not have the pace of some of the earlier Beck books you have to admire the confidence that the authors have in opening up the cast of characters. Some people would rely on the main detective and a sidekick, think Morse, but here there are a handful of police officers that are fleshed out enough to be able to carry the story on their own.
If anything in this book Beck takes a background role as the foot work is done by others and the breakthrough comes collectively. This is one of those stories that is perhaps on the cusp of not only finishing the series with the last four books but feels like that because it is describing a country on the edge of change.
The constant references to the heat are not just there to paint the scene but also provide an indication of a growing friction created by change. The forces of conservatism are being attacked by the youthful led demands for change in the 60s.
The fact a thriller can convey such socio and political information without interrupting or spoiling the main story is testament to the writing ability of Sjowall and Wahloo. This leaves you wanting to crack on with the seventh book in the series.
A review will follow soon...
If anything in this book Beck takes a background role as the foot work is done by others and the breakthrough comes collectively. This is one of those stories that is perhaps on the cusp of not only finishing the series with the last four books but feels like that because it is describing a country on the edge of change.
The constant references to the heat are not just there to paint the scene but also provide an indication of a growing friction created by change. The forces of conservatism are being attacked by the youthful led demands for change in the 60s.
The fact a thriller can convey such socio and political information without interrupting or spoiling the main story is testament to the writing ability of Sjowall and Wahloo. This leaves you wanting to crack on with the seventh book in the series.
A review will follow soon...
Labels:
Maj Sjowall and Per Wahloo
Friday, November 27, 2009
Murder at the Savoy - post I
Every reader has a guilty pleasure, a book that although it isn't Tolstoy fills them with joy, and in my case the genre best able to deliver that quick hit of intense reading pleasure is the thriller.
Being slightly more specific about it the police procedurals, following the case through the lens of the police activity, when done well can be gripping. Two of the masters are husband and wife team Maj Sjowall and Per Wahloo and with their creation of Martin Beck they take you onto the streets of Sweden in the 1960s and into police stations in Stockholm and Malmo.
The crime tends to take place early on and then the rest of the book is spent following Beck and his colleagues as they try to fathom the often unfathomable and bring the case to a conclusion.
This is no different with a prominent business man shot in a hotel, the Savoy dining room, by a gun man who then jumps out of an open window into the hot summer night and disappears.
From that starting point, with no clear witness statements the police have to start the hunt for a killer.
More tomorrow....
Being slightly more specific about it the police procedurals, following the case through the lens of the police activity, when done well can be gripping. Two of the masters are husband and wife team Maj Sjowall and Per Wahloo and with their creation of Martin Beck they take you onto the streets of Sweden in the 1960s and into police stations in Stockholm and Malmo.
The crime tends to take place early on and then the rest of the book is spent following Beck and his colleagues as they try to fathom the often unfathomable and bring the case to a conclusion.
This is no different with a prominent business man shot in a hotel, the Savoy dining room, by a gun man who then jumps out of an open window into the hot summer night and disappears.
From that starting point, with no clear witness statements the police have to start the hunt for a killer.
More tomorrow....
Labels:
Maj Sjowall and Per Wahloo
Thursday, November 26, 2009
Howards End is on the Landing - post II
Avoiding the risk of repetition the other point to make about Howards End is the way chapters are used to group together genres or authors. A personal library is rarely an A to Z listing by rather has grown organically with books either lumped together on the basis of date purchased or in the case of Hill by type and author.
The result is that you get chapters which become almost short stories in themselves as she tells of her meetings, friendships and the influences of writers that she has known and this makes it both easy to digest the numerous book titles bein recommended but also gives you pause for thought to examine the way your own books have been selected and your feelings towards them.
Although as Powell had one of his characters saying "books do furnish a room" there is also an emotional dimension to why they are on the shelves in the first place and that is something Hill oozes and reminds you not to forget when thinking, caring and reading your own library.
A review will follow soon...
The result is that you get chapters which become almost short stories in themselves as she tells of her meetings, friendships and the influences of writers that she has known and this makes it both easy to digest the numerous book titles bein recommended but also gives you pause for thought to examine the way your own books have been selected and your feelings towards them.
Although as Powell had one of his characters saying "books do furnish a room" there is also an emotional dimension to why they are on the shelves in the first place and that is something Hill oozes and reminds you not to forget when thinking, caring and reading your own library.
A review will follow soon...
Labels:
Susan Hill
Wednesday, November 25, 2009
Howards End is on the Landing - post I
At first coming across this book you half wonder what on earth it will be like between the covers. A year of reading conjures up certain ideas. The most obvious of course is the idea of a chronological 'january, february etc etc' but it is done in such a wonderfully engaging way the best description is of sitting in on a conversation.
But this is not just a conversation with some one who owns a lot of books but can tell you about the reasons for those books being in her home and the stories behind them. So this becomes a memoir, a celebration of literature but also a chance to talk about the oddities of publishing - the small books issued for Christmas and rarely read.
Hill is well travelled in the literary world but has a great ability to lay out the joy of reading so that anyone who shares even one tenth of her enthusiasm finds themselves nodding along and taking inspiration from her library.
More tomorrow...
But this is not just a conversation with some one who owns a lot of books but can tell you about the reasons for those books being in her home and the stories behind them. So this becomes a memoir, a celebration of literature but also a chance to talk about the oddities of publishing - the small books issued for Christmas and rarely read.
Hill is well travelled in the literary world but has a great ability to lay out the joy of reading so that anyone who shares even one tenth of her enthusiasm finds themselves nodding along and taking inspiration from her library.
More tomorrow...
Labels:
Susan Hill
Tuesday, November 24, 2009
Man in the Dark - post II
In a way the story about the parallel world and the war is just a metaphor for feelings of disorientation and grief. You realise that after that story is snuffed out as the author lies in the dark talking to his granddaughter this really is a book about loss and perhaps if anything it is slightly over complicated.
The start makes it feel like some author meets creation Vonnegut number and has a slight feel of De Lillo but then the second part, divided only in terms of my reading and not formally, is more of a personal tale of coming to terms with loss.
As the main character retells the story of his life and the love for his wife with all of his mistakes and the granddaughter tells of her grief for a love killed in Iraq the idea of what happens to those that are left behind is the big one Auster is grappling with.
Just as with Incredible Loud and extremely Close follows the story of someone pulling the loose ends of a tragedy in the death of a father in 9/11 together this is similar.
After the twin towers fell the sense of loss, anger, disorientation and grief can only be imagined. In the second half of this book Auster manages to get close but perhaps The Falling Man edges it.
A review will follow soon...
The start makes it feel like some author meets creation Vonnegut number and has a slight feel of De Lillo but then the second part, divided only in terms of my reading and not formally, is more of a personal tale of coming to terms with loss.
As the main character retells the story of his life and the love for his wife with all of his mistakes and the granddaughter tells of her grief for a love killed in Iraq the idea of what happens to those that are left behind is the big one Auster is grappling with.
Just as with Incredible Loud and extremely Close follows the story of someone pulling the loose ends of a tragedy in the death of a father in 9/11 together this is similar.
After the twin towers fell the sense of loss, anger, disorientation and grief can only be imagined. In the second half of this book Auster manages to get close but perhaps The Falling Man edges it.
A review will follow soon...
Labels:
Paul Auster
Monday, November 23, 2009
Man in the Dark - post I
In some ways reading this makes you think of Kurt Vonnegut purely in the idea that an author might co-exist in the same world as their creation. But that’s where the similarities end.
The mention of 9/11 and the war in Iraq makes you think of the war on terror and there are themes of war and death but also about the breakdown of relationships. As August Brill lies away in the dark at night and writes his stories of an American civil war in his head he is conscious of being below his daughter and granddaughter who have moved in with him following ones divorce and the others bereavement.
He starts to sketch out a world where the US has fallen apart because of the refusal by some states to back the president. The states unravel and a war begins. Caught in the middle is a New York magician Owen Brick who finds himself in a world where the twin towers have not fallen but where he is expected to travel between two parallel worlds to stop the war by killing Brill.
More tomorrow…
The mention of 9/11 and the war in Iraq makes you think of the war on terror and there are themes of war and death but also about the breakdown of relationships. As August Brill lies away in the dark at night and writes his stories of an American civil war in his head he is conscious of being below his daughter and granddaughter who have moved in with him following ones divorce and the others bereavement.
He starts to sketch out a world where the US has fallen apart because of the refusal by some states to back the president. The states unravel and a war begins. Caught in the middle is a New York magician Owen Brick who finds himself in a world where the twin towers have not fallen but where he is expected to travel between two parallel worlds to stop the war by killing Brill.
More tomorrow…
Labels:
Paul Auster
Sunday, November 22, 2009
bookmark of the week

No doubt this would get me a few pounds on ebay but this promotional bookmark for the last in the series of Harry potter is not only colourful but not as tacky as some promotional things can be.
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Bookmarks
Saturday, November 21, 2009
The Private Memoirs and Confessions of a Justifed Sinner - post II
The idea of the Confessions being found in a grave and then sent for reading and publication to a publisher in Edinburgh is a device that has been used again and again by those looking to use a literary device that distances the voice from the present.
Hogg uses it with masterly skill to allow Robert to speak beyond the grave to paint a picture of a young man manipulated because of his ignorance and religious arrogance. The idea that God could condone killing sinners is one that takes its time to work through Robert’s mind, but with the shape-shifting friend Gil-Martin, who he becomes to rely on more and more, it is an idea that finally takes hold.
Once it takes hold those that get in the way of the plans of the pair to enact some sort of revenge on George and his family are destroyed or die through heart break and despair. There are times when Robert seems to be aware he has made some sort of pact with a dangerous individual but by convincing himself his friend is the Tsar of Russia he allows himself to get in deeper.
By the time the scales have fallen from his eyes and he is aware of the reality it is too late and his attempts to escape the devil lead him ultimately into despair and death.
The postscript about the attempts of the narrator and friends to verify the events of the confession has a creepy realism to it that would influence other Gothic style writers.
A book that for its time was a masterpiece and one that in 2009 still has the ability to shock, disturb and entertain.
A review will follow soon...
Hogg uses it with masterly skill to allow Robert to speak beyond the grave to paint a picture of a young man manipulated because of his ignorance and religious arrogance. The idea that God could condone killing sinners is one that takes its time to work through Robert’s mind, but with the shape-shifting friend Gil-Martin, who he becomes to rely on more and more, it is an idea that finally takes hold.
Once it takes hold those that get in the way of the plans of the pair to enact some sort of revenge on George and his family are destroyed or die through heart break and despair. There are times when Robert seems to be aware he has made some sort of pact with a dangerous individual but by convincing himself his friend is the Tsar of Russia he allows himself to get in deeper.
By the time the scales have fallen from his eyes and he is aware of the reality it is too late and his attempts to escape the devil lead him ultimately into despair and death.
The postscript about the attempts of the narrator and friends to verify the events of the confession has a creepy realism to it that would influence other Gothic style writers.
A book that for its time was a masterpiece and one that in 2009 still has the ability to shock, disturb and entertain.
A review will follow soon...
Labels:
James Hogg
Friday, November 20, 2009
The Private Memoirs and Confessions of a Justifed Sinner - post I
This book was kindly sent to me with an accompanying note describing it as one of the most important works in literature. I have to start this post by confessing no previous reading of this book but within a very short number of paragraphs you are under Hoggs’s spell of great writing but also a wonderful imagination.
What amazes you about the book is the time this story of angels, devils and demons was written. This would have been put together when presumably to write some of the things about good and evil was sailing very close to the wind. Not just because the readership would have been a lot more devout and would recognise a world where demons existed but also because the church, which held more power in the early 1800s, was not a lame target to aim for.
In a book of two parts, The Editor’s Narrative then the Confessions, it makes sense to split the reading into two parts.
The Editor’s Narrative sets up a story of two brothers brought up in different households with very different spiritual values.
The Wringhim brothers, George and Robert, are on the one hand a non-religious man into leisure and self-satisfaction and the other as a result of growing up under the director mentorship of a very religious man comes out as some sort of pseudo-monk come evangelical.
He sets his heart at destroying his brother’s world and starts innocently enough but ends with murder. Quite why he does all these actions is not quite clear but you suspect the influence of devilry.
A world of wealth and religious piety is painted so clearly by Hogg that you can walk round the world he paints with great ease. Although the idea of devils and angels might seem slightly alien to a modern readership you are never in any doubt about the belief held by Robert or those around him.
More tomorrow...
What amazes you about the book is the time this story of angels, devils and demons was written. This would have been put together when presumably to write some of the things about good and evil was sailing very close to the wind. Not just because the readership would have been a lot more devout and would recognise a world where demons existed but also because the church, which held more power in the early 1800s, was not a lame target to aim for.
In a book of two parts, The Editor’s Narrative then the Confessions, it makes sense to split the reading into two parts.
The Editor’s Narrative sets up a story of two brothers brought up in different households with very different spiritual values.
The Wringhim brothers, George and Robert, are on the one hand a non-religious man into leisure and self-satisfaction and the other as a result of growing up under the director mentorship of a very religious man comes out as some sort of pseudo-monk come evangelical.
He sets his heart at destroying his brother’s world and starts innocently enough but ends with murder. Quite why he does all these actions is not quite clear but you suspect the influence of devilry.
A world of wealth and religious piety is painted so clearly by Hogg that you can walk round the world he paints with great ease. Although the idea of devils and angels might seem slightly alien to a modern readership you are never in any doubt about the belief held by Robert or those around him.
More tomorrow...
Labels:
James Hogg
Thursday, November 19, 2009
Explorers of the New Century - post II
Although there is humour here, although it’s dark, maybe it’s me but this story conjured up images of a more gruesome and political nature than perhaps is intended. The theory of transportation and the slavery of Mules also has echoes of the holocaust. Maybe that’s just a self projection onto it.
In other regards the novel, which is well written, raises questions about exploration and just why people risked their lives to go to places like the Antarctic. Was it simply to do it or was there an ulterior motive about hoping to find something there. Just as the Spanish found their Aztec gold did the other unknown areas of the globe keep similar secrets?
There is a moment when suddenly things become clear and the relationship between the explorers and mules is explained. Have to admit I didn’t see that coming and that was enjoyable.
A review will follow at some point…
In other regards the novel, which is well written, raises questions about exploration and just why people risked their lives to go to places like the Antarctic. Was it simply to do it or was there an ulterior motive about hoping to find something there. Just as the Spanish found their Aztec gold did the other unknown areas of the globe keep similar secrets?
There is a moment when suddenly things become clear and the relationship between the explorers and mules is explained. Have to admit I didn’t see that coming and that was enjoyable.
A review will follow at some point…
Labels:
Magnus Mills
Wednesday, November 18, 2009
Picking up the pace
So many reviews need to be done but I’m on a rich vein of reading at the moment. All the fears that this would be a year of disappointment on the reading front are potentially being over turned. Still got some reading to do to get to where I want to be at the end of the year but it is suddenly looking much more achievable.
This week is going to be crucial. Plans on paper at least are to get through at least three more books before the end of the week. Hopefully it can be done and then it’s past the 60 barrier and onwards towards 70.
This week is going to be crucial. Plans on paper at least are to get through at least three more books before the end of the week. Hopefully it can be done and then it’s past the 60 barrier and onwards towards 70.
Labels:
Reading
Tuesday, November 17, 2009
Explorers of the new century - post I
Compared to something like the exhaustive and historical study that I once waded through by Roland Huntford that charted the story of Scott and Amundsen comparing their different approaches to finding the South Pole this book is much more consumable and done with a great deal more humour.
It starts with the feeling of being a tale of arctic explorers with two missions to find the point of farthest away. The British mission is headed by a public figure, the celebrated explorer Johns, in a race with what you assume is the Norwegian team staffed with professionals that are ahead because they landed first.
This is a study of characters under strain. The British and the Norwegians have their class systems going with stars and tent sleeping systems making sure people know exactly where they are. They have their tents and food being carried by mules with the pack given as much attention as the men.
There are moments of black humour as they both make mistakes and hit the river at roughly the same time causing excitement and errors. The race is finely poised but the real question is quite what is it they hope to find when they reach their destination.
More tomorrow…
It starts with the feeling of being a tale of arctic explorers with two missions to find the point of farthest away. The British mission is headed by a public figure, the celebrated explorer Johns, in a race with what you assume is the Norwegian team staffed with professionals that are ahead because they landed first.
This is a study of characters under strain. The British and the Norwegians have their class systems going with stars and tent sleeping systems making sure people know exactly where they are. They have their tents and food being carried by mules with the pack given as much attention as the men.
There are moments of black humour as they both make mistakes and hit the river at roughly the same time causing excitement and errors. The race is finely poised but the real question is quite what is it they hope to find when they reach their destination.
More tomorrow…
Labels:
Magnus Mills
Monday, November 16, 2009
Legend of a Suicide - post II
Relating the story would spoil the enjoyment of the book for those that had not been lucky enough to read it.
What you can safely say is that Vann sets out to make sure you think about the consequences of suicide for those that are left behind. Particularly those that simply cannot understand what led someone to take that decision.
What unravels is perhaps not just the selfishness, the constant desperation to fulfil personal needs in the search for an elusive happiness but also a complete lack of empathy and understanding with those around the individual.
Those left look for reasons, trigger points that set off the slide towards the end and could torture themselves doing it because trying to de-pick the brain of someone that is not thinking rationally.
A review will follow soon…
What you can safely say is that Vann sets out to make sure you think about the consequences of suicide for those that are left behind. Particularly those that simply cannot understand what led someone to take that decision.
What unravels is perhaps not just the selfishness, the constant desperation to fulfil personal needs in the search for an elusive happiness but also a complete lack of empathy and understanding with those around the individual.
Those left look for reasons, trigger points that set off the slide towards the end and could torture themselves doing it because trying to de-pick the brain of someone that is not thinking rationally.
A review will follow soon…
Labels:
David Vann
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