When you pick up a book it’s interesting to see how long you give it to prove its worth. I usually let things go until around 100 pages and if by then it is failing to grab you in any way you grit your teeth and start to think of the gruelling task ahead or abandonment.
I have never really abandoned a book just put it to one side and waited for the mood to come that will help me reengage with it but it is a prospect that is becoming more of an important question to consider.
The reason is that if a book has lost you then does it deserve to be read? I’d like to believe there are lessons to be learnt as a reader and a potential writer one day from every book but sometimes they can be slim in the extreme.
As the end of this year draws near and it ranks as one of those with the fewest books personally read the question of when and if to bail out on a book is one that is going to demand an answer to avoid a repeat in 2010.
Saturday, October 17, 2009
Friday, October 16, 2009
maybe time for a refresh?
The look and feel of the blog hasn't changed for a couple of years and I'm thinking that maybe it's time to have a look at what the options are for improving the look and feel of it. The dots seemed to be one of the best choices available at the time but Blogger has probably improved the choices since then and made it easier to make things look more compelling.
Keep an eye on the blog in the next few weeks to see if I have the guts and the gumption to make any changes. I'd like to but we will see.
Keep an eye on the blog in the next few weeks to see if I have the guts and the gumption to make any changes. I'd like to but we will see.
Labels:
Blogging
Thursday, October 15, 2009
Journey to Nowhere - post III
You know when someone is angry because they become repetitive but this book starts to get to its central theme when Eva recalls the conversations she had with the old housemaid Edith about Palestine.
The lonely woman was left in Berlin at the end of the war with nothing so proved to be an easy target for the Zionists who took her away to Palestine. But the country was full of different groups that hated each other.
Figes then goes onto talk about the history of the Jewish state and her dislike of it. This is brave writing because of course as a Jew she cannot be easily shot down in flames for being anti-Semitic so presumably other charges were levelled against her. But the idea that hate is at the bottom of most of Palestine is a difficult one to get to grips with.
At the end of the way no one seemed to know what to do with the millions of displaced people that had been created as a result of the war and the holocaust. Palestine became a dumping ground that allowed other countries to consider their obligations met. It perhaps never really answered or solved the problem and as a result continues to provide debate until the present day.
A review will follow soon...
The lonely woman was left in Berlin at the end of the war with nothing so proved to be an easy target for the Zionists who took her away to Palestine. But the country was full of different groups that hated each other.
Figes then goes onto talk about the history of the Jewish state and her dislike of it. This is brave writing because of course as a Jew she cannot be easily shot down in flames for being anti-Semitic so presumably other charges were levelled against her. But the idea that hate is at the bottom of most of Palestine is a difficult one to get to grips with.
At the end of the way no one seemed to know what to do with the millions of displaced people that had been created as a result of the war and the holocaust. Palestine became a dumping ground that allowed other countries to consider their obligations met. It perhaps never really answered or solved the problem and as a result continues to provide debate until the present day.
A review will follow soon...
Labels:
Eva Figes
Wednesday, October 14, 2009
Journey to Nowhere - post II
As the relationship between Eva and the old housemaid Edith is reopened the story of what happened to those Jews that stayed in Berlin through the war is told in all its harrowing detail.
What emerges is a picture of ad hoc kindness with fellow Germans helping out. Some were motivated by kindness, others by bitterness towards the war and in the final days those looking for a good deed as a way of saving their own skin.
Eva exists in a post war world where her mother seems to have turned into a rather horrible person, Edith is a lonely figure and for Eva herself she is trying to make sense of it all.
More tomorrow...
What emerges is a picture of ad hoc kindness with fellow Germans helping out. Some were motivated by kindness, others by bitterness towards the war and in the final days those looking for a good deed as a way of saving their own skin.
Eva exists in a post war world where her mother seems to have turned into a rather horrible person, Edith is a lonely figure and for Eva herself she is trying to make sense of it all.
More tomorrow...
Labels:
Eva Figes
Tuesday, October 13, 2009
The Life of Monsieur Moliere - post V
So this biography written by one writer with a great deal of passion and care about another comes to an end.
The role of the King is vital throughout Moliere's life with the patronage of the monarch needed on the numerous occasions where he manages to provoke the rage of various sections of the aristocracy.
But what is clearly amazing is the sheer volume of work that the playwright managed to produce. Not only that but the quality of his comedies were such that they have of course let the name Moilere live on through history.
The postscript at the end by Bulgakov is sad in that he know he will never get to Paris to see the monument of his hero. In many ways Bulgakov also had an existence dominated by a King the problem is that his was not so supportive and in the end almostr crushed the writer.
A review will come soon...
The role of the King is vital throughout Moliere's life with the patronage of the monarch needed on the numerous occasions where he manages to provoke the rage of various sections of the aristocracy.
But what is clearly amazing is the sheer volume of work that the playwright managed to produce. Not only that but the quality of his comedies were such that they have of course let the name Moilere live on through history.
The postscript at the end by Bulgakov is sad in that he know he will never get to Paris to see the monument of his hero. In many ways Bulgakov also had an existence dominated by a King the problem is that his was not so supportive and in the end almostr crushed the writer.
A review will come soon...
Labels:
Mikhail Bulgakov
Monday, October 12, 2009
Journey to Nowhere - post I
Wolf Hall is calling me as it sits there almost shouting out ‘600 pages are not going to read themselves’. But before we get to that...
This is another book sent by a kind twitter friend and again it is not something I would normally rush out to buy. The reason is that as a reader of fiction or history the memoir tends to fall between those two categories. Having read some memoirs earlier this year a return to fiction was something more favourable.
But once you start reading this well crafted book you perhaps realise that the success of the memoir is in the telling. Eva Figes focuses on the story of a housemaid Edith and what happened to her as she lost touch with Eva’s family as they fled the Nazis.
Edith went to Palestine but then wrote asking for her old job back with the family who now lived in London. The return of Edith is a chance for Eva to tell of the years since her escape from Berlin in 1939 and the impact on her and her family.
A very honest but so lightly written account exposes her problematic relationship with her mother and the dangerous times they fled in Germany. The world of wealth and grandparents living round the corner was shattered forever. But what seems to have been true for Eva and her parents in particular is that the war never stopped.
You wait for Edith’s arrival and the rest of the story of what happened to those that escaped the holocaust to be shared.
More later this week...
This is another book sent by a kind twitter friend and again it is not something I would normally rush out to buy. The reason is that as a reader of fiction or history the memoir tends to fall between those two categories. Having read some memoirs earlier this year a return to fiction was something more favourable.
But once you start reading this well crafted book you perhaps realise that the success of the memoir is in the telling. Eva Figes focuses on the story of a housemaid Edith and what happened to her as she lost touch with Eva’s family as they fled the Nazis.
Edith went to Palestine but then wrote asking for her old job back with the family who now lived in London. The return of Edith is a chance for Eva to tell of the years since her escape from Berlin in 1939 and the impact on her and her family.
A very honest but so lightly written account exposes her problematic relationship with her mother and the dangerous times they fled in Germany. The world of wealth and grandparents living round the corner was shattered forever. But what seems to have been true for Eva and her parents in particular is that the war never stopped.
You wait for Edith’s arrival and the rest of the story of what happened to those that escaped the holocaust to be shared.
More later this week...
Labels:
Eva Figes
Sunday, October 11, 2009
bookmark of the week

Everytime I go through Paddington station for work I see the little Paddington stall and think of the bear. I enjoyed watching the TV series as a child and have all of the books with the exception of the latest. This is a magnetic bookmark, like they nearly all are these days purchased if I remember rightly from WHSmith in Paddington station.
Labels:
Bookmarks
Saturday, October 10, 2009
The Life of Monsieur Moliere - post IV
Pushing it too far, with the backing of the King who seems to be happy to see Moliere score a few points as he goes down in flames, fortune starts to run out for the famous writer.
On a professional front he reacts rather childishly to criticism of his play and writes a response that then sparks similar plays that provide those looking to fan the flames of a spat between Moliere and his enemies with plenty of ammunition. But of course Moliere goes further and doesn’t just round on the critics but goes for those that have up to that point been neutral towards him.
On a private front he marries someone who is suspected of being his own daughter after a determined courtship only to find once he has his bride home that their relationship is doomed. His personal life becomes one of suffering.
After years of success the reaction to his embroilment in arguments with critics and other actors shows just how thin the veneer of regard was for Moliere. But he has taken up his pen and saved the day and you sense he will do so again.
More next week...
On a professional front he reacts rather childishly to criticism of his play and writes a response that then sparks similar plays that provide those looking to fan the flames of a spat between Moliere and his enemies with plenty of ammunition. But of course Moliere goes further and doesn’t just round on the critics but goes for those that have up to that point been neutral towards him.
On a private front he marries someone who is suspected of being his own daughter after a determined courtship only to find once he has his bride home that their relationship is doomed. His personal life becomes one of suffering.
After years of success the reaction to his embroilment in arguments with critics and other actors shows just how thin the veneer of regard was for Moliere. But he has taken up his pen and saved the day and you sense he will do so again.
More next week...
Labels:
Mikhail Bulgakov
Friday, October 09, 2009
The Life of Monsieur Moliere - post III
What starts to become clear about Moliere is just how talented he was not just in penning comedies that were box office hits but in terms of the relationships he made. By befriending the King’s brother he was able to keep at bay his critics and get plays published and performed despite complaints.
His days of travelling were behind him and he settled into Paris lampooning on stage the women with their social salons and the cuckolded husbands of the very rich. He managed to keep the King laughing even when he went for Dukes. Of course because of the author you are perhaps trying too hard to draw parallels with Russian society but you can well imagine the dependence that an author of plays or novels would have on the King (Stalin) and his court.
But he was not a young man and it had taken years for him to find this success and Bulgakov, who continues to have a friendly and in obstructive touch, points out the growing tensions in French society.
Once you reach the top there is of course only one way to go...
His days of travelling were behind him and he settled into Paris lampooning on stage the women with their social salons and the cuckolded husbands of the very rich. He managed to keep the King laughing even when he went for Dukes. Of course because of the author you are perhaps trying too hard to draw parallels with Russian society but you can well imagine the dependence that an author of plays or novels would have on the King (Stalin) and his court.
But he was not a young man and it had taken years for him to find this success and Bulgakov, who continues to have a friendly and in obstructive touch, points out the growing tensions in French society.
Once you reach the top there is of course only one way to go...
Labels:
Mikhail Bulgakov
Thursday, October 08, 2009
The Life of Monsieur de Moliere - post II
What you have to admire about Bulgakov and his treatment of this biography is the light touch. He manages to get from birth to 30 in as many pages but chooses the facts to concentrate on very carefully.
It is perhaps a consequence of the fact that Moliere himself did not appear until he left home and turned his back on his father’s world of being court upholsterer. The young actor headed out into the highways and byways of France determined to make his name with his troop.
The moment of truth came after his attempts to play tragedies were disastrous so he switched to comedies, which he started to write himself. That was the key, the decision not just to write but to act to his strengths, and it started to turn his fortunes around.
The other stylistic touch that you appreciate from Bulgakov is the way he throws in all the information he has at hand without making it stodgy. In that respect it reminds you of the Shakespeare biography produced a couple of years ago by Bill Bryson.
More soon…
It is perhaps a consequence of the fact that Moliere himself did not appear until he left home and turned his back on his father’s world of being court upholsterer. The young actor headed out into the highways and byways of France determined to make his name with his troop.
The moment of truth came after his attempts to play tragedies were disastrous so he switched to comedies, which he started to write himself. That was the key, the decision not just to write but to act to his strengths, and it started to turn his fortunes around.
The other stylistic touch that you appreciate from Bulgakov is the way he throws in all the information he has at hand without making it stodgy. In that respect it reminds you of the Shakespeare biography produced a couple of years ago by Bill Bryson.
More soon…
Labels:
Mikhail Bulgakov
Wednesday, October 07, 2009
The Tenth Man - post II
It seems like a long time ago since the first half of this book was read but you pick it up and delve straight back into the tight relationship between the former prisoner of war and the sister of the man he traded death with at the loss of his fortune.
Just as you think you know where the story is going, into some sort of love story that is cast right open with his confession of true identity, Greene brings in a third character and takes it in a slightly different direction.
His writing is so economical that you are given the chance to concentrate mainly on one person. Even then a lot of it is brush strokes with you as a reader filling in the gaps. Sometimes just a simple sentence is left with you racing ahead to work out the consequences.
A review will follow soon...
Just as you think you know where the story is going, into some sort of love story that is cast right open with his confession of true identity, Greene brings in a third character and takes it in a slightly different direction.
His writing is so economical that you are given the chance to concentrate mainly on one person. Even then a lot of it is brush strokes with you as a reader filling in the gaps. Sometimes just a simple sentence is left with you racing ahead to work out the consequences.
A review will follow soon...
Labels:
Graham Greene
Tuesday, October 06, 2009
Everything is Illuminated - post V
Have no fear the ending will not be revealed. What can safely be said is that the last third of the book is much more enjoyable than what precedes it. The reason perhaps is because some of the rambling about myths and legends is cut out and real life, which is compelling enough in time of war kicks in.
As the different strands of the story come together the humour drops off and the harsh consequences of the decisions made in war come back to haunt the leading characters.
This starts feeling very much like a personal quest but by the end it is a story that applies to a generation rather than just the one individual family.
A review will follow soon...
As the different strands of the story come together the humour drops off and the harsh consequences of the decisions made in war come back to haunt the leading characters.
This starts feeling very much like a personal quest but by the end it is a story that applies to a generation rather than just the one individual family.
A review will follow soon...
Labels:
Jonathan Safran Foer
Monday, October 05, 2009
Everything is Illuminated - post IV
As the book settles down and gets past the half way mark you are juggling three time periods. The life of the grandfather who shortly after his marriage was to face the Nazis sweeping through the village. The current day search for the story of his escape and the interaction between the interpeter and the author in letters written at stages commenting on the discoveries made as they search for the truth about the past.
Part of the problem is that before any of the stories really opens up and grabs you the time shifts and you go forwards and backwards. The past does inform the present but it does feel sometimes as if the action has not been given the chance to breathe.
You know that the intertwining of the different periods is going to be key to the book and the structure is as important as any of the main characters but perhaps the reaction to that is the reader's choice. You either love it and view it as being very clever or you see it as perhaps over worked and a structure that breaks the continuity.
More tomorrow...
Part of the problem is that before any of the stories really opens up and grabs you the time shifts and you go forwards and backwards. The past does inform the present but it does feel sometimes as if the action has not been given the chance to breathe.
You know that the intertwining of the different periods is going to be key to the book and the structure is as important as any of the main characters but perhaps the reaction to that is the reader's choice. You either love it and view it as being very clever or you see it as perhaps over worked and a structure that breaks the continuity.
More tomorrow...
Labels:
Jonathan Safran Foer
Sunday, October 04, 2009
bookmark of the week

Having spent the day yesterday at the British Museum learning about all things Egyptian this was one of the only bookmark's to do with that era. Having said that it is an interesting idea that is going to be quite useful for my son as he dabbles with Egyptian themed projects as part of his history homework this year at school.
Labels:
Bookmarks
Saturday, October 03, 2009
book review - The Twelve Chairs - Ilf & Petrov
“I sewed my jewels into the seat of a chair.”.....
“What? Seventy thousand roubles worth of jewellery hidden in a chair! Heaven knows who may sit in that chair!”
You get used after a while to Russian novels having a tragic and bleak style so when this starts with the reader looking over the shoulder of Ippolit Matveyevich as he trudges from the poverty of his home to the registry office where he is tasked with filling in ledgers all day you expect the usual.
But very quickly the conventions are broken and the deathbed confession from his mother-in-law that she hid the family jewels in a chair in the old house sets him off on a chase across Russia. He is not alone because the dying woman also felt the need to confess to the priest.
So begins a chase for the 12 chairs, with the one that holds the jewels, that takes the priest and Ippolit across Russian and into bizarre situations. The priest will ultimately betray all that his position seems to stand for as he is consumed by greed and end up as a comical figure howling at the moon but for Ippolit the journey is slightly more complex and his destination a more sobering one.
As he heads back to his former home he is bullied by a chancer, Ostap Bender, who managed to bully the older man into a position of not only revealing the quest for the jewels but of agreeing to halve the value of the gems. So the mismatched pair set off conning and conniving their way through the provinces and in to Moscow looking for and finding chair after chair of the original twelve.
There is real humour here but the targets are cleverly selected. A priest who is quick to exploit a death bed confession and sell his robes to fund a treasure hunt is also followed by would be Tsarists who scare themselves to death plotting an overthrow of the communists. These are targets that the censors would have approved of.
But between the cracks you are left asking yourself why would people be prepared to drag themselves across Russia for jewels and that perhaps is where the satire really lies. A clerk and a con man that have both known better times are really on the hunt to recreate those days of the past. Wealth will of course overcome the hurdles not just of poverty but the day to day problems put in your way by a state that limits your living area and is expert at creating an atmosphere of misery. Everyone has a secret, a desire to blossom in a place where to do so brings danger, and throughout the book the characters line-up dreaming of a better future.
What makes this a memorable read is not just the humour and the well plotted treasure hunt. Even as it becomes obvious it will be the final chair they find that will hold the answer you stick with it to see the outcome. This is a novel that paints a picture of not only greed and money lust showing how it can lead to madness and murder but in its own way holds up a mirror to a society in the 1920s that was scared, dreamt of the past and where the ultimate treasure was the almost completely intangible personal freedom.
Labels:
book review,
Ilf and Petrov
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